Wednesday, 24 August 2016

Marvo Ging...

“I feel it again. The call to light.

Kylo Ren sits before the deformed mask of his grandfather Darth Vader and, masked head in gloved hand, has an existential crisis. Strangely, I sort of know what he means. Every so often I do feel the need for illumination, to head north and revel in the light of an arctic summer.


I am watching the latest Star Wars film at the cinema with my best buddy from school. I’m loving it, but then I am a fan and have been since I was four years old. I won’t grow out of it and will never tire of the Tie Fighter’s scream or the clash of lightsabers. I still have some of the childhood toys my mum got me after enduring freezing Christmas queues outside a well-known catalogue shop upon learning via the mum grapevine that a delivery was due.


On the train home from the cinema I am thinking about travel to the light of the far north and the adventures I have had chasing Red Knots hundreds of miles above the arctic circle. As the train clatters along the tracks back towards the Patch from the big city I feel that urge to move, to travel, to head north. I feel it too Kylo. A call from the light.

It turns out I have a case of Zugunruhe. This is not as bad as it sounds. The Knots get it too, as do all migratory animals. Zugunruhe is the restlessness that migrants feel before they set off on their journeys, usually triggered by hormonal changes in response to altering day lengths (there is so much more to migration triggers than this but it would not be possible to present it all here – it is truly fascinating though and worth some research if you have the time and inclination).

Okay, so my case of itchy feet is for selfish reasons, excitement and adventure rather than the imperative to breed, but even so I am self-diagnosing an acute case of Zugunruhe with the only cure a trip to the frozen north of Norway to photograph Red Knots.


Tickets booked, bags packed.


I’m on the train again - this time to the airport. My headphones are in and I’m staring at the countryside flashing by the window. I love the change of landscape as you move, either watching it from the train or seeing it for the first time that you step off a plane. That newness, the feeling of exploration, of finding something different. That display I once saw in Copenhagen airport looms large in my mind’s eye again. “To travel is to live”.


The MP3 player shuffles round from some Teenage Fanclub (the best band in the world) to some fuzzed up American alt rock by way of some classic Bob Dylan. I feel the outline of my passport in my jeans pocket, triple checking it is there. My e-ticket and boarding pass are stored on my fully charged phone. It’s the first time I have used this electronic pass so I have made sure it won’t let me down and leave me stranded. I’ve even turned down the screen brightness to save power.

The MP3 player selects a new track. Marvo Ging by the Chemical Brothers. As it plays I sense that feeling again. The persussion of the song fall in synch with the beats of the train over the tracks. The loops and samples, the slidy sitar guitar loop. It amplifies the sense of movement, the travel, the prospect of adventure. It is an irresistible feeling. The ear worm works its way into my brain. I start to tap my feet.

The Knots will be feeling the Zugunruhe right now. They will be fuelling up for the trek north, to our rendez-vous in Porsanger. As I recheck my passport pocket again they will be having no such thoughts about borders and customs. They seem like much more relaxed travellers, they enjoy truly free movement.


I’m meeting up with others in Norway but I am making my way there on my own. I quite like solo travel. I sit in the airport café drinking surprisingly decent coffee and watching people scurry around the departure lounge. I love this, spotting holiday makers, hen parties and businessmen, seeing real lives being led by people from all over the globe.

Doing this reminds me that whoever we are, wherever we are from and wherever we are going we are all really just the same. Eat, sleep, move, repeat. As trite and clichéd as all the “one world” stuff sounds, fundamentally it is true. Our differences are only superficial and actually make things a lot more interesting. Ignoring the duty free, I people watch before boarding my flight to the light.


The Knots beat me north. I encounter my first flock on the way from the airport to our digs for the first night. I catch up with many thousands more over the next week, literally catching some on two occasions. The chance to contribute to the colour ringing project on these birds is great; the accumulation of knowledge feels as good as the travel and adventure. I take pictures too, many thousands of these inspiring travellers before I have to head home to the muddy banks of the Dee.


Back to today and I’m on a train again, this time returning from a catch up and a bite to eat with an old buddy. The light is fading and it’s hard to see much from the train window. I push my earphones deeper into my ears to obliterate the inane chatter from some xenophobic and ill-informed idiots in the seats opposite. There are all fashion shirts, fashion beards and that awful confidence in their own ignorance.


A Charlatans song fades out and Marvo Ging comes on. The beats match the train and I get that feeling again. The north beckons once more, this time with my family. The excitement builds, I start to tap my feet.


I feel it again, the call to light.

Thursday, 18 August 2016

Me In Time...

There were only brief moments when I saw the birds. Shards of clarity.

The dew on the grass soaks my boots and the bottom two inches of my jeans before I reach the cliff top path. As usual I ignore the warning signs and start the climb towards the beach. There is enough light from the breaking dawn for me to see where I am going and besides, I know these cliffs like the back of my hand. This is a personal, well-worn, if unofficial route to nirvana. I disturb a Blackbird from one of the Hawthorns that just about manages to grow here. It flies off with an alarm call that is piercing in the morning quiet.

Slung over my left shoulder is my telescope topped tripod and on my back is a camera bag filled not just with optics, breakfast is in there too. Binoculars swing around my neck as I work my way shorewards, bashing against my chest on the steep descent. In the pocket of my camouflage combat jacket are my notebook and pen. All I need.

Well, nearly. I need some migratory shorebirds to complete the list of ingredients for this recipe.

I find a suitable spot close to the toe of the cliffs and settle in for my breakfast, enjoying the sunrise, silence and solitude. Hot coffee from the flask and a couple of homemade muffins baked with leftover pick-your-own raspberries. I’m careful not to drop crumbs into the eyecups of my binos.

Fast broken, I open the notebook at a fresh page, write the date, location and time across the top. Under the date I give a brief account of the weather.

It is cloudless, the sky clear save for a pair of con trails from a jumbo jet heading north west. The air is cool, wind almost breathless.

The tide builds momentum; I can see its leading edge down the estuary, just passing the golf course, rolling this way. Not long now. I take the final steps from the cliffs to the sand and pebble shore. Oystercatchers are noisy and I hear a Curlew call. Another answers. Redshank are piping excitedly, like they sense the water is coming. Their feeding becomes a little more earnest.

I walk towards the marsh a little way, I get close to the point where the sand turns into mudflat and pause among the shells and seaweed of the strandline.

The channel cut into the mudflats has filled and over spilled, the flood has begun. The sun shines.

500 Blackwits stitch the mud at the edge of the tide. Pintail and Shelduck drift in behind them. I stop look, listen……………………….


Blending into the shore. The sounds on the beach seem to be flowing from the mudflats to me - the bird’s calls, the spattering of bills and feet in super saturated gloopy mud and the gentle waves of the rising tide. All soft sounds building to a crescendo of white noise that would, if there was any other noise here, drown it out. The notes are flowing off the flats and into me via my toes as well as my ears. They start to fill me up.

The sights are mesmeric. The frantic feeding of the birds, the gentle paddling of the Pintail and Shelduck. Tiny Teal, chestnut head, morning sun, irredescence. Splashes of mud, Dunlin scurrying. They all come to me through my eyes and my feet and my gut, filling me from the toes. When the sights and sounds reach my belly they turn to butterflies. Then my limbs start to ache in a pleasant way. Being pulled downwards, into the sand. The sights keep on. Blackwits in flight, morning sun, glowing bills.


Redshank roosting, total peace, still.

Oystercatcher feeding in slow motion, things starting to get sluggish, creep towards tidal height. Feeling blooms like algae, ink drops cloud in water, feel the diffusion – a slow-mo explosion of biological. Waders line up on the shore, Dunlin, Knot, Redshank, Curlew’s eye, Curlew’s bill, bubbles.


The sights pile up in me, filling me, the sounds too, I am connected to the Patch, totally, not umbilically but close. I’m at capacity, but still it comes, I start to swell. I grow, I’m ten feet tall on Curlew calls. Knot in flight over rushing waves only two centimetres tall. Now I’m over the ground, held aloft by a stream of many golden strands flowing from the mud to my guts another explosion of slow motion, I catch sight of detail for a moment then it is gone, re-entranced.


Birds fly in all directions, dispersed by the tide, I see them, but not fully, like I’m looking through a jam jar, it is all a little fuzzy except for shards of clarity where I see an Oystercatcher find a cockle.

A Redshank run then fly, a Pintail tuck its head under wing, a boat swing on its anchor as the tide lifts it. Still in the air I am held by the river like a fly caught in amber. Slow motion. Mud, water, sea and sky. The tide nearing full height, waves catch the light. Crystals and the smell of vanilla and salt. All the Knot leave for the roost. They fly past in sharp focus.


My stomach is burning with the feeling of it all, I watch, once removed, in an hour or in five minutes or both. The Blackwits leave too. Limosa limosa, mud mud. Flesh and bone and feather. They are swept away, we are engulfed. I am set down on the sand.

I walk down the shore a little way, my steps have a matrass spring lightness and I feel like running home. Normally I would not run to catch a bus. I continue walking. A different type of calm returns. The flats are covered. Shelduck drift towards the marsh, everything else is already there. My experience was never out of body, those feelings were rooted in evolution by natural selection, a connection. The Patch is where I will raise my daughter and I should feel like this about it, it should be precious and transcendent and vital. No hallucinogens were involved. Just muffins, coffee (decaf), a few thousand birds, a few million gallons of mud and as much water all in beautiful dawn light.


The tide, the pull of the moon. The pull of the Patch, its hooks in me, talon-esque. I look at the notebook, I have added nothing since the weather report. I decide to leave it blank. A hundred yards down the shore a Greenshank calls.


I look up. It stretches its wings and flies off. I put my notebook away and walk home.

Sunday, 14 August 2016

Petrichor...

Petrichor     /ˈpɛtrʌɪkɔː/
noun
1.    A pleasant sweet, earthy smell that frequently accompanies the first rain after a long period of warm, dry weather.

Summer is sleeping. This is not a metaphor for recent weather, no, it is not the season that is asleep, it is my daughter. She has gone to bed full of strawberries and love after another day of playful adventure. Now we start the tidy up of a toddler smashed house before we have a good sit down.

Toys are returned to the toy box, pencils to the pencil case and I attempt to rub off the yellow crayon that now adorns the wall by the living room door. While doing this I notice one of her books on the floor, left open at a rather prophetic page…


It’s been an unusually busy week and I’m looking forward to a few hours on the Patch tomorrow, I head up to bed with the words from that page of Summer’s book rattling around my cluttered brain. All week I had been looking for a story to write on here but in my muddled state I couldn’t find one. I wanted that to change today.

I am out early, partly due to Summer’s penchant for an early start and partly to get a jump on the dog walkers, joggers and cyclists that will soon be on the Patch.

Grandparents have Summer to themselves for a few hours so they can enjoy her company without me watching how many sugary treats they are feeding her and I get some time on the Patch. A win-win if ever there was one.

There had been some rain overnight, the first to fall on the Patch for some time and this morning it feels fresh and smells lovely – sweet-ish, the soil almost good enough to eat. As odd as it sounds the Patch smells green today. Raindrops still linger on the flowers swaying in the meadows, adding a sparkle to the already impressive colours.


Not even a “mechanical” on the cycle ride from home can dent my enthusiasm. The Old Gooch patched up I continue towards the 5ive Fields* and the hedgerows of the Wirral Way.


Steller’s Field is quiet, a few pigeons are having a set to in the hedge at the back of Humboldt. These fields always do the trick, I feel myself becoming un-muddled by the reassuring calmness that is ever present here.

[* The 5ive Fields are a mosaic of pasture and arable fields that straddle the Wirral Way and form part of my favourite area of the Patch between Thurstaston and Heswall. Steller’s Field, Humboldt, Exhibition Field, The Yarnsie and Manhattan. They are names that only I use and those names really only have any significance for me.]

Opposite Steller’s is a field that I never pay much attention to. It is usually quiet save for the time I watched a Barn Owl hunting over it. Today there are a heck of a lot of Carrion Crows in it. With not much else planned I stop and count them. 336. A weasel zooms across the path into the crow field. I decide to name this field too. I call it Crow Nation.

On to The Yarnsie. The hedges twitch with recently fledged second brood Chiffchaffs and in the larger gaps between hawthorns Rose Bay Willowherb sways in the breeze. Still in a naming mood I rechristen this plant Rose Sway Willowherb, it seems more appropriate today.

I stop in one gap and look out across The Yarnsie, still with no idea about what today’s story is going to be.


A Cinnabar Moth caterpillar slowly climbs some Ragwort. The wheat is tall and ripe; every now and then a sorrel stem protrudes from it, looking like it has rusted in the sun to a shade of burned terracotta. Out there are hares, partridge, Skylarks and Lapwings, all unseen today, obscured by the fecundity of summer.

The spot I have selected in the hedge is agreeably shaded, the sun is high now and yesterday’s rain has evaporated in the heat. I decide to stay in the shade, I think I’ll always be a sun-dodger. The butterflies are not afraid of a few rays though and many flit by my shady glade investigating the yellow flowers tick-tocking in the breeze.

Something to point the camera at.


Small Copper, Gatekeeper and Speckled Wood oblige me with pictures.


The hedge hums with the buzz of bees, hoverflies and the clicks of my camera.


A Brown Hawker drifts past, working the hedge for its lunch. It briefly lands close to me then repeats its patrol another two times while I am there. It glides along then investigates a portion of the hedge, stopping to hover roughly every five metres. On each run it investigates a different spot, after three cycles it is satisfied it has 100% coverage of this section and moves further along out of sight.

I sit down for a sandwich and watch a small beetle climb a stem.


I lie on the sweet smelling ground to get an idea on its perspective of the meadow.


A goldfinch pulls at the head of a Thistle a few yards into the field. Some of the seeds drift off on the warm breeze, floating over the wheat and the bobbing yellow flower heads.

Soon enough I realise the Patch is the story and stop looking for a narrative and just enjoy it, a couple of hours slip by. By now I’m missing my little girl and I have a card full of photographs so I jump on the Old Gooch and pedal for home.

I arrive to find Summer buzzing around the yard, playing in the sand pit and watering the pots. She’s a real livewire - probably due to too many sugary treats. We spend the afternoon messing about with paints, toys and books and by her bedtime the house is trashed again. There is more crayon on the walls, little blobs of yellow like the flowers of The Yarnsie. This time I don’t rub them off.


We put away her toys and have a good sit down.

Wednesday, 3 August 2016

MF3K mkII

For most of the morning a steady drizzle had been falling on the muddy banks of the Dee. Around lunchtime it got heavier, proper rain tinkling on the roof of the pale green Fiesta in the driveway, water running then dripping then running again from the ill-fitting guttering on the side of the garage. It spattered noisily on the ground, just missing a small grid. Steam rose from my cup of coffee, there was no wind to take it or the rain away so it just hung there before evaporating in front of my eyes.

Johnny and I are leaning on opposite sides of the open garage doors sheltering from the unwelcome precipitation. We had planned a day on the flats with our cameras and several thousand wading birds but the weather had put paid to that particular adventure. So there we were supping brews and watching the rain fall on a deeply grey day.


With Atlantic influenced weather dominating the Patch, getting rained off the Dee is not an uncommon occurrence. In that event we usually head to a greasy spoon for a bite to eat and a chinwag but, both a little skint, we had drifted back to Johnny’s to work on a project that had, indirectly, come from heavy rain. The story goes a little something like this.

The frayed corner of blue coloured crash mat was just protruding from the sunflower yellow corporation skip on the road outside a local secondary school. I had noticed it a few days before and one evening after work had decided to go and fetch it.

Some seriously heavy rain had breached the school’s flat roof and pooled in the cavity beneath. Unseen for a few days the puddle had grown until its weight became too much for the plaster board ceiling to bear. A torrent of water had then flooded a store room adjacent to the assembly hall and damaged many items putting some them beyond reasonable use, hence the skip.


The waterlogged gym mat was ludicrously heavy and just as smelly when I wrestled it in to the Mint Mobile and dropped it off at Johnny’s. Now dry and less smelly it was a little easier to work with. I was never a fan of PE at school so you may be wondering why I was going to such lengths to get this mat…

We were designing and building a photography hide. I say designing and building, really we just made it up as we went along using only what we found lying around garages or sheds of people we knew and whatever we came across in skips. Classy aren’t we? Like I said, we were both a little strapped for cash so this build had to be zero cost. There was a basic design in our heads. We wanted to be able to lie undetected on the mudflats for some time, whatever the weather, so we could photograph the birds at a low angle as they fed. Therefore we needed something to keep us warm, dry, comfy, reasonably clean and concealed from our quarry. A decent floor, waterproof roof and camouflage were essentials.


When I saw the discarded gym mat I had a light bulb moment. The mat was a mix of fabric and foam encapsulated in thick blue plastic. It looked pretty waterproof, fairly insulating and not too uncomfortable - perfect for long periods in a hide. We needed these features because the idea was to deploy a few hours before high water and wait for the birds to get close as the tide rose. It is no use trying to get in position when the birds are on the move, you’d only scare them and what is the point in that?

The idea of shooting on the rising tide also threw up a couple of issues that we had to address, namely disturbance and flooding. If you were close to the birds as the tide was nearing its full height you were running the risk of scaring the birds off when you had to stand up and leave to avoid being flooded out. We would need to engineer and install a covert retrieval system, in other words, a rope.

This was not easy to scrounge. We soon came across a length but on closer examination it looked alarmingly frayed and prone to failure at an inopportune moment. After much searching we located some in better condition that was easily long enough. We then bolted a short piece of 4x1.5 inch timber to the rear of the mat and attached the retrieval system (rope) to it. Once deployed the rope would be uncoiled and the second operator would wait on the beach to gently pull the hide and photographer back to shore as the tide advanced, keeping cameras dry and birds undisturbed. Large cup hooks were screwed into the wood to coil the rope around when not in use.


Next we needed the roof. From the dark recesses of my dad’s shed we found some butyl pond liner, thick with dust and home to a few dozen spiders. We looked at it and decided it was a perfect roof for our hide.

We evicted the arachnids, much to the delight of a pair of Wrens, and continued to rummage through the old paint pots, plant pots and lawn mower parts for anything useful. I found an old cricket set that kindled a few childhood memories… Some odd black fabric, possibly to line a flower bed and prevent weeds was discovered and we decided to use that to carpet the mat, wrapping the blue plastic cover. It would make the floor of the hide a little less obtrusive and non-slip, well, you know, health and safety and all that…

Next, a small frame was fabricated out of some offcuts of flexible fencing wire and stapled to a couple of roofing battens left over from the re-slating of my roof. These battens were attached to the mat with small coach bolts and the liner stapled in place over the frame. The liner had been cut to fit the mat with enough slack allow a person to crawl underneath the wire frame, lie down and poke a telephoto lens out of the front.


Now, how to conceal what we had come to call the Mudflat 3000? Cammo netting is not something most people have lying around so we thought we might have to shell out for some. However after a quick text message exchange we managed to trade a couple of bags of seasoned logs for 6 square metres of the stuff from a buddy of mine who does a bit of outdoor education. That too was stapled to the battens.

We stood back and admired our handiwork. The Mudflat 3000 was born.

On the field test in the back garden we came across a couple of issues so we returned to the garage to modify the hide. The wire frame was a little cumbersome and in places where the end of the wire poked out, downright dangerous. It was removed in favour of a flexible tent pole and guy rope. To be frank, we pinched those from a tent we found in Johnny’s loft.


We like a snack and a brew so we added two optional extras to help with this. A pouch was glued on to the liner to keep munchies to hand and dry. Next to this a small cup holder was attached to the right hand batten. The second field trial was altogether more comfortable.

That was that, the construction was finished, testing phase had been completed and the Mudflat 3000 mark 2 (MF3K mkII) was ready for deployment. We gazed at our hide, our excitement building, we felt sure we would be able to get close to our subjects in it.


First stop: Hilbre Island for Ringed Plovers.

Thursday, 21 July 2016

Round Are Way...

My Raleigh Strika BMX thunders around the top of our cul-de-sac and over the milk crate and plywood improvised ramp… Bah-dumph! Another jump safely landed, I finish my daring manoeuvre with an exaggerated wheelie in a vain effort to impress Colin from number 7’s older sister.

It is heading towards the end of another peaceful day round our way in the mid-80’s and, as the sun begins to set, Blackbirds start up the sound of the suburban summer.

One male always used to sing on the TV aerial of our house (satellite dishes were still the exception rather than the rule then) and I think it nested once in the ivy that covered our back fence.



That liquid lyrical song of the Blackbird was occasionally punctuated by the screams of Swifts swirling overhead. One of my earliest birdwatching memories is lying on my back watching the Swifts wheeling around high above the back gardens of our close.


Mum is cutting the grass in ours, the latest must-have Swedish made hover mower sounding like an angry bee caught inside a hairdryer. There is a small bare patch near the top of the lawn: the crease for our back garden cricket games. With flower borders for boundaries and the small size of our plot, scores in excess of 200 not out were frequently recorded. Well, if England weren’t going to beat the Aussies in a test match, I would. A no-bounce-over-the-fence was automatically out.

Beyond that ivy covered fence where the Blackbirds once nested is the large village green. It is circled by a quiet road that unlike our other road off our cul-de-sac, the busy Townfield Lane, we didn’t need permission to cross. Here we would play footy until called in for tea. 20 kids chasing a flyaway football with no thought for positions or tactics. Good times. I don’t recall it ever raining either.

What has all this feel-good nostalgia have to do with Dunlin on Hilbre Island?


I am in the new hide, the homemade Mudflat 3000 MkII. It has been dropped at the eastern side of the island on a flatish, bare expanse of sandstone between two ragged patches of frilly dark brown seaweed. Even though I say so myself, it is beautifully camouflaged and later in the day it will totally fool a couple of gossiping Lifeguards whose feelings about a colleague I will not repeat here.

The origin and specification of the Mudflat 3000 mkII together with early results from it will be presented in an upcoming post, right now I’m concentrating on the Dunnies.


I am ensconced in the MF3K mkII when a brief shower of rain passes overhead. It has been a largely fine day with just a little high cloud so this turn in the weather is unexpected and a little disappointing. It doesn’t last long though, but long enough to remind me of rain on tent roofs during holidays when I was a kid. From there my mind wanders to endless summers on BMXs and results in the opening passage to this story. Although such is the fickle nature of young love/infatuation I can no longer remember the name of Colin from number 7’s older sister. It may have been Susan.

I have reached an age when I can be genuinely nostalgic and this happens most often when I am waiting patiently for something to wander close enough to my hide to photograph. Then, for better or worse, those thoughts often find their way into the stories I post here.

Some Dunlin are approaching and I banish the childhood memories and concentrate of the camera settings and exposure for the pictures I’m about to take.

They scurry over the barnacle strewn rocks, investigate periwinkles and pick at the seaweed. They seem happiest in the puddles of mud that accumulate between the reefs of reddish sandstone.


The mud is the colour and consistency of a good chocolate custard and the Dunnies probe it with a swift stitching motion. A successful stitch sees the head thrown back and the unlucky prey item hungrily swallowed. They look in the rock pools too, I wonder if they catch their own reflection.


This group of Dunlin wander past and out of range and I’m left looking at the puddle of custard-like mud. I have a rather Pavlovian response to that thought and reach inside the hide for some munchies. My wife’s banana loaf with toffee frosting. Once I have wolfed that treat down I’m left with uncomfortably sticky fingers from the frosting. Stuck in the hide and not wanting to spook the next set of approaching birds I wipe my hands of the backside of my trousers and mentally add baby wipes (of which we have a huge amount now we have a young daughter) to my camera bag kit list for next time.

More Dunnies drift in front of the MF3K MkII and I take further pictures, swivelling dials, thumbing buttons and scrolling through menus to adjust the exposure again. The sun is shining now and the shutter is whirring, images accumulate on the memory card. Good times. The Dunlin still seem to prefer the mud puddles although the mud has dried a little in the warm sun, it is now more Angel Delight-ish than custardy.

As I shoot the Dunlin, a thought kindles in the back of my mind…

Will I, in the years to come, look back on these untroubled days with warm and fuzzy nostalgia for time spent in the hide with just Dunlin for company?


I think so, I hope so.

Wednesday, 15 June 2016

Reds and Blues

Jan Molby has possession in midfield for Liverpool. The ball at his feet he looks up, sees Ronnie Whelan breaking forward and plays the perfect pass into the space in front of him. The game has become a little stretched, Everton are searching for an equaliser and gaps are appearing in their defence. Whelan runs on to Molby’s pass and drives forward towards the edge of the Everton penalty area. Kenny Dalglish makes a run across his path into space, the Blue defenders aren’t sure what to do or who to mark, they’re back-pedalling now. Whelan uses King Kenny’s run as a dummy and clips an exquisite ball over the Everton defenders into the path of Ian Rush who is hurtling into the box. Everton fans start to grimace, Reds fans sense a goal. Rush, from the angle of the six-yard area, wallops the ball past Bobby Mimms into the far corner of the goal. The net bulges and in doing so knocks over a camera placed there by a photographer hoping to get a shot of the winning goal in the 1986 FA Cup final. The camera somersaults backwards a few yards from the power of Rushie’s right-foot shot and lands with (possible broken) lens pointing skywards. Who knows if they got the picture they were after? That makes it 3-1 to the Reds. Liverpool see out the game to win by two goals and, with the League title already wrapped up, complete the first League and FA Cup double in the club's history.


Where I’m from you’re either one or the other. Liverpool or Everton. Red or blue.

(Well, almost. I do know a couple of Tranmere supporters and in geographical terms they are my team, but to follow Rovers these days is a brutal form of masochism that I’m really not up for.)

Me? I’m completely Red and became so the precise moment Ian Rush sent that camera cart-wheeling across the Wembley turf when I was 9 years old. I still wear my 1992 centenary edition kit when I occasionally run out for a game of five-a-side.

Since those footy mad school days my interest in football has waned a little, due mainly to the effects of all the money sloshing around the modern game. It has spawned the arrogance and disloyalty that curses many of today’s overpaid, over-hyped, under-performing and under-talented players. Players that are more concerned with image rights, WAGS and sports cars than providing trophies for fans. These days football fans are constantly milked for hard earned cash so the super-rich can turn a profit from the clubs they are buying up with a voracious appetite.

My old obsession has been replaced with a new one. Wildlife photography. I still follow the Reds and nights like this…


… remind me why; a passion and adventure that no other club can come close to matching, but now my biggest buzz comes from capturing images of wild things in wild places.

Red Knots roost on the rocky reefs and sand banks of the fjord. They are fast asleep and out of range of my camera and telescope. I have bagged a few hundred pictures of them in their bright red summer plumage and recorded plenty of data for our colour ringing project but, at high tide, there is a lull in Knot activity.


It is now that things turn, momentarily, from red to blue.

Among the more polite but still derogatory terms that Liverpool supporters have for their rival Everton fans is the term “Bluenose”.

There are no Bluenoses in Lille Porsanger but there are Bluethroats.

I hear a call that I am not familiar with. It is in part melodic, partly scratchy buzz, quite unique. I have a little think as to what it could be. The list of suspects is not long and I decide it is probably Bluethroat. I scan the tops of the bursting birches at the side of the road.

My suspicions are confirmed when I see a male singing his song from atop a tall-ish tree.


I wait a while, listening to the call and watching him flit from branch to branch. Soon he drops to the floor and starts to feed amongst the sparse vegetation of the gravely roadside verge.


The sun is shining again and I step from the shade of the hire car into the light. To get a better angle I lie on the tarmac, it feels surprisingly warm. The Bluethroat hops closer. The road to Veidnes is a quiet one so I’m happy to lie on it for a while, I don’t fear getting run over or scaring an approaching motorist by being prone and motionless on a road by a seemingly abandoned vehicle.

The Bluethroat hops to a perch on the mountains side of the road, backlit by the burning sun.


Before swiftly switching to a sunny perch on the fjord side.


His singing seems to pay off as a female appears from nowhere in a low scrubby birch just to my left, his right. She is more subtly marked than he is; her collar and bid not as brightly marked or extensive as his. She is unmistakably Bluethroat though. The male and female plumages do not differ like a home and away footy kit do.


He wastes no time, straight into full on display mode. The song is ramped up to maximum volume and he pulls out his best moves.


His blue throat patch shines with a metallic iridescence in the afternoon sun. He flashes orangey red tail feathers in her direction and wiggles his wings, his song becomes quite shrill, he’s obviously pulling out all the stops.


She seems unimpressed.

She flies off. He resumes singing his song, his chant, the Bluethroat’s own terrace anthem. She doesn’t reappear so he goes back to feeding on the roadside verge.


Looks like he’s missed out.

The Blues get that losing feeling again.

I reel off some more pictures as he darts and scurries in amongst the grass, hunting the bugs and beetles emerging at the start of the brief but spectacular Arctic summer. Bluethroat on my Patch would be a real rarity so it's ace to get close to this individual and take his picture. I shoot away until a car speeds by and spooks him back to the birch tops.

I look at my watch, a little over an hour has passed and the tide has dropped enough for the Knots to wake up and fly to the refreshed flats to have a feed. They are back in range for a bit of colour ring data collection.

The Blue diversion is at an end, the Reds are on the march. I pack away the camera and go looking for Red Knot.

As cool as the Blues were today…


I’m forever Red.